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<title>NewArtTV</title>
<link>http://www.newarttv.com</link>
<description>New Art TV</description>
<language>en-us</language>
<pubDate>2011-12-12T10:17:41-07:00</pubDate>
<lastBuildDate>2011-12-12T10:17:41-07:00</lastBuildDate>
	
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<title><![CDATA[Maurizio Cattelan at the Guggenheim]]></title>
<link>http://newarttv.com/index.php?id=372</link>
<guid>http://newarttv.com/index.php?id=372</guid>
<pubDate>2011-12-12T10:17:35-43:00</pubDate>
<description><![CDATA["Maurizio Cattelan: All," the artist's first museum retrospective at the Guggenheim Museum, is already notorious for its unusual installation in which all of the  works in the show have been hung from the central oculus of the museum. Comprising most of his oeuvre (some 128 works in all), including the now-famous sculpture of Pope Paul VI felled by a meteor, the exhibition offers a definitive opportunity to decide: minor master of the visual one-liner , or profound social commentator?  ]]></description>
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<title><![CDATA[Melissa Brown]]></title>
<link>http://newarttv.com/index.php?id=371</link>
<guid>http://newarttv.com/index.php?id=371</guid>
<pubDate>2011-09-30T10:10:40-39:00</pubDate>
<description><![CDATA[A painter, a maker of art objects in traditional studio solitude, Melissa Brown has a countervailing aspect to her work: it is an impulse behind several projects over the last few years, including the new "Dotto Lotto." The impulse is to go outside and beyond the studio, and her own imagination, and connect to the flux of life and the activity and imagination of others, to weave an art experience out of drawing and postcards and systems of communication, distribution, and social interaction.In "Dotto Lotto," Melissa's casually distributed postcards, with their connnect-the-dots template and draw-and-return-to-sender invitation, come back to her, some of them, in a random harvest of the idiosyncratic and the typical, the ho-hum and the eye-popping. The drawings made by Melissa's accidental contributors are all very much one-of-a-kind except they're also readily categorizable, sortable into families - geometric, gestural, minimal, allover, innee, outtee, frenzied, reasoned, pizza, non-pizza. Melissa processes and organizes the traces of this virtual global connectedness in a way that resonates with a whole lineage of Cagean, Fluxus, Happening, and now "relational," outside-the-studio-gallery nexus, art-meets-life gambits.  One very distinctive thing about "Dotto Lotto" is its fusion of randomness and impersonality with the personal and individual touch of each drawing. In contrast to, say, the participatory projects of Spencer Tunick or Santiago Sierra, drawing remains a touchstone with painter Melissa Brown, a basic way to connect, relate, and represent. Acting by turns the producer and project manager, collagist, curator, video and installation maker, Melissa also assembles a selection of creative roles in the course of assembling postcards. A kind of meta-drawer, Brown orchestrates a culmination of hundreds of postcard drawings into two works: an animated video, and an allover collage on the walls of the project room at the Winkleman Gallery, New York, in the fall (Sept.) of 2011.  This is the first video for NewArtTV by new contributing producer Max Fierst.  RK]]></description>
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<title><![CDATA[Nicola Ginzel]]></title>
<link>http://newarttv.com/index.php?id=370</link>
<guid>http://newarttv.com/index.php?id=370</guid>
<pubDate>2011-05-29T10:15:32-20:00</pubDate>
<description><![CDATA[Nicola Ginzel embroiders small objects that she comes across in the course of her day. The works in this studio visit, on April 25, 2011 in Ginzel's apartment and studio in Williamsburg, Brooklyn, are featured in an exhibition at Heskin Contemporary in NY that opened May 26, 2011. ]]></description>
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<title><![CDATA[Rafael Vargas-Suarez]]></title>
<link>http://newarttv.com/index.php?id=369</link>
<guid>http://newarttv.com/index.php?id=369</guid>
<pubDate>2011-05-25T10:13:17-50:00</pubDate>
<description><![CDATA[Rafael Vargas-Suarez makes abstractions out of various forms of scientific information  and physical experience (like the rhythms of his breath). On this studio visit with the artist, who was born and raised minutes away from NASA's Lyndon B. Johnson Space Center, in Houston, and now lives in Williamsburg, Brooklyn, Vargas-Suarez makes a painting from the live feed of a space walk on May 20, 2011, during the next-to-last Space Shuttle mission. ]]></description>
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<title><![CDATA[On Ai Weiwei]]></title>
<link>http://newarttv.com/index.php?id=368</link>
<guid>http://newarttv.com/index.php?id=368</guid>
<pubDate>2011-05-15T10:09:05-47:00</pubDate>
<description><![CDATA[A month into the detention of Ai Weiwei by Chinese authorities on unspecified charges, the artist's "Circle of Animals/Zodiac Heads" project was inaugurated at Grand Army Plaza in New York. The Guggenheim Museum's curator of Asian art, Alexandra Munroe, whose institution has spearheaded a petition effort to free Ai Weiwei, offers a video op-ed on the Zodiac Heads project, Ai's concept of "social sculpture," and the arrest and disappearance of an artist who has been outspoken about repression and corruption in his native China.  "Circle of Animals/Zodiac Heads" is on view at Grand Army Plaza until July 15. 2011. Another version of "Zodiac Heads" was unveiled May 12 in London in the courtyard of Somerset House.]]></description>
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<title><![CDATA[Ashley Bickerton at Lehmann Maupin]]></title>
<link>http://newarttv.com/index.php?id=367</link>
<guid>http://newarttv.com/index.php?id=367</guid>
<pubDate>2011-05-13T10:12:36-37:00</pubDate>
<description><![CDATA[Ashley Bickerton came to prominence in the early 1980's with a series of fabricated, logo-plastered structures that cheekily satirized conceptions of painting, artistic signature and style. In the wake of an art world economic downturn, and his own financial and career woes, Bickerton in 1994 left New York, eventually settling in Bali, where he could live cheaply and where he re-invented his work and artistic persona. His work began to reflect his surroundings, as well as what he has called the "elephant in the room," Gauguin, who a hundred years before established the model of the Western, white, male artist seeking refuge from the modern world in an ostensible paradise in the South Seas.  Broadly speaking his work of the last fifteen years can be understood as an encounter with the Gauguinesque mythology. With his latest work, which opened at Lehmann Maupin Gallery in New York May 6, 2011, Bickerton has turned his attention to the honkytonk, neon-lit underbelly of the South Pacific paradise.  ]]></description>
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<title><![CDATA[Subodh Gupta]]></title>
<link>http://newarttv.com/index.php?id=366</link>
<guid>http://newarttv.com/index.php?id=366</guid>
<pubDate>2011-05-08T10:10:55-08:00</pubDate>
<description><![CDATA[Subodh Gupta's solo show at Hauser & Wirth Gallery in New York features discarded domestic objects blown-up to monumental scale. Opened May 5, 2011. ]]></description>
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<title><![CDATA[Tom Fruin]]></title>
<link>http://newarttv.com/index.php?id=365</link>
<guid>http://newarttv.com/index.php?id=365</guid>
<pubDate>2011-04-30T10:08:12-08:00</pubDate>
<description><![CDATA[Drugbag collagist Tom Fruin gets work ready for a solo show at Galerie Heike Curtze in Vienna (opens May 4, 2011).   ]]></description>
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<title><![CDATA[William Anastasi: Subway Drawing]]></title>
<link>http://newarttv.com/index.php?id=364</link>
<guid>http://newarttv.com/index.php?id=364</guid>
<pubDate>2011-04-21T10:14:03-08:00</pubDate>
<description><![CDATA[April 20, 2011: William Anastasi takes the No 1 train and makes a "subway drawing," one of thousands he's made over the last several decades.   ]]></description>
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<title><![CDATA[Dennis Oppenheim]]></title>
<link>http://newarttv.com/index.php?id=363</link>
<guid>http://newarttv.com/index.php?id=363</guid>
<pubDate>2011-02-09T10:14:21-33:00</pubDate>
<description><![CDATA[Dennis Oppenheim, who died last month, granted me this studio visit and interview in December of 2007. I set the footage aside, primarily because Dennis was unwell when we did the interview - he was already dealing with a serious medical problem, and he looked frail, vulnerable, preoccupied, and I wasn't entirely comfortable about presenting him on video in his condition. But with his characteristic generosity he spent two hours with me reflecting on his work, and as I reviewed the footage in the wake of his death I saw that whatever ailment he had, had done nothing to dull a remarkable intelligence, thoughtfulness and self-knowledge. So here it is after all these years, 13 minutes with Dennis Oppenheim, one of the seminal figures of land art, leading figure in public art, and as the arc of his career demonstrates, possessed of a constant urge toward creative exploration and reinvention. -RK]]></description>
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<title><![CDATA[Kim Keever]]></title>
<link>http://newarttv.com/index.php?id=362</link>
<guid>http://newarttv.com/index.php?id=362</guid>
<pubDate>2010-12-29T10:07:57-10:00</pubDate>
<description><![CDATA[New York-based Kim Keever makes photographs of bonsai-scaled landscapes assembled inside a 200-gallon tank that is filled with water and topped with paint pigment and addressed with lights and gels to create convincing effects of clouds and atmosphere. His tropical vistas, sylvan forests, and mountain views openly wear their own artifice while they also display the fine-grained complexity of the real thing. Looking at them can be an otherworldy experience. NewArtTV visits Keever at his East Village studio. ]]></description>
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<title><![CDATA[Adam Cvijanovic]]></title>
<link>http://newarttv.com/index.php?id=361</link>
<guid>http://newarttv.com/index.php?id=361</guid>
<pubDate>2010-12-11T10:16:40-47:00</pubDate>
<description><![CDATA[Adam Cvijanovic constructs new ideas of landcape painting from such disparate ingredients as the Hudson River School, Gordon Matta-Clark's architectural interventions, vintage western films, and astronomy. NewArtTV visits Cvijanovic in his Soho studio as he completes a mural-sized painting based on the Orion nebula for one of the Miami art fairs. ]]></description>
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<title><![CDATA[James Siena]]></title>
<link>http://newarttv.com/index.php?id=360</link>
<guid>http://newarttv.com/index.php?id=360</guid>
<pubDate>2010-12-02T10:22:28-51:00</pubDate>
<description><![CDATA[James Siena's paintings are compact, intricate, finely crafted and geometric but at the same time very idiosyncratic abstractions, distantly related to early American modernists (he invokes Arthur Dove, Marsden Hartley and Georgia O'Keefe as cherished ancestors).  Working on metal panels since the early 90's, James Siena has recently been producing cartoony, surreal images with psycho-sexual overtones. NewArtTV visits the artist in his Chinatown studio as he works on a new painting.]]></description>
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<title><![CDATA[Izhar Patkin: Studio Visit]]></title>
<link>http://newarttv.com/index.php?id=359</link>
<guid>http://newarttv.com/index.php?id=359</guid>
<pubDate>2010-10-24T10:22:16-19:00</pubDate>
<description><![CDATA[Izhar Patkin's work defies ready characterization, taking diverse forms from installation and painting to sculpture, but it consistently stems from some key aspect of a life lived across cultures, whether it be his first encounter with America (he was born in Israel and moved to NY in 1979), his discovery of Chinatown funeral practices, or his close friendship with the now-deceased Kashmiri poet Agha Shahid Ali, whose work inspired Patkin in 1999 to launch an ongoing and monumental project of room-sized installations titled Veiled Threats.  On the death of his dealer and friend Holly Solomon in 2002, Patkin stopped exhibiting, all the while continuing to make typically ambitious work in his vast East Village studio. A retrospective of his work will be presented at the Tel Aviv Museum in 2011. ]]></description>
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<title><![CDATA[Neil Jenney at the Aldrich Museum]]></title>
<link>http://newarttv.com/index.php?id=358</link>
<guid>http://newarttv.com/index.php?id=358</guid>
<pubDate>2010-10-15T10:23:36-36:00</pubDate>
<description><![CDATA[On the event of his first museum exhibition since 1984 (at the Whitney), Neil Jenney talks about why he rarely has an exhibition, and this series of black-bordered landscape painting from the last decade. "Neil Jenney: North America," June-Sept. 2007 at the Aldrich Museum in Connecticutt, curated by director Harry Philbrick. ]]></description>
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<title><![CDATA[Paula Hayes ]]></title>
<link>http://newarttv.com/index.php?id=357</link>
<guid>http://newarttv.com/index.php?id=357</guid>
<pubDate>2010-07-31T10:15:45-45:00</pubDate>
<description><![CDATA[Paula Hayes, maker of bulbous glass terrariums and idiosyncratic gardens, has produced a string of exhibitions, public and private garden commissions, and new works in her Brooklyn and East Village studios over the last few years. Paula's also raised questions about the boundaries between nature and art, gallery and garden, and the "life" of and relationship to an artwork - and, more urgently, is preparing for a museum career survey and finishing up a large-scale commission for MoMA.  So you'll excuse her if she's been feeling like taking a break, a daily restorative refuge, in the backyard behind her Brooklyn townhouse, in a mockingbird-tattooed teepee that she shares with a recently adopted cat. The teepee is not just a refuge, however - it's also where she works with crystal...gaze into the latest NewArtTV studio visit with artist Paula Hayes. ]]></description>
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<title><![CDATA[Martin Creed at Gavin Brown's Enterprise]]></title>
<link>http://newarttv.com/index.php?id=356</link>
<guid>http://newarttv.com/index.php?id=356</guid>
<pubDate>2010-05-12T10:11:32-19:00</pubDate>
<description><![CDATA[Martin Creed creates two new installations at his New York gallery, Gavin Brown's Enterprise, which has expanded into an adjacent space formerly occupied by a wholesale meat distributor. ]]></description>
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<title><![CDATA[Chris Martin Kicks it Around]]></title>
<link>http://newarttv.com/index.php?id=355</link>
<guid>http://newarttv.com/index.php?id=355</guid>
<pubDate>2010-04-26T10:15:31-17:00</pubDate>
<description><![CDATA[Chris Martin practices a kind of open-ended abstract painting, compositions that bear attached and embedded elements - vinyl records, photographs, sequins and glitter, to name a few- that offer references to pop culture, personal experiences and concerns.  During a visit to his Brooklyn studio Martin channels the intentions of a macrame frog, makes a glitter painting, reflects on his work process, and jams with a couple of musician friends. ]]></description>
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<title><![CDATA[Bodo Korsig Makes a Monotype]]></title>
<link>http://newarttv.com/index.php?id=354</link>
<guid>http://newarttv.com/index.php?id=354</guid>
<pubDate>2010-03-16T10:18:09-34:00</pubDate>
<description><![CDATA[Trier, Germany-based Bodo Korsig makes an oversized monotype outside the Museum Biedermann, Donaueschingen, Germany, with the use of a road roller/compactor.   ]]></description>
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<title><![CDATA[Brian Belott: Joy of File]]></title>
<link>http://newarttv.com/index.php?id=353</link>
<guid>http://newarttv.com/index.php?id=353</guid>
<pubDate>2010-03-05T10:15:00-21:00</pubDate>
<description><![CDATA[Brian Belott's supersized collage at Zurcher Studio New York, March 2010.  ]]></description>
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<title><![CDATA[Ida Applebroog]]></title>
<link>http://newarttv.com/index.php?id=352</link>
<guid>http://newarttv.com/index.php?id=352</guid>
<pubDate>2010-02-08T10:12:12-51:00</pubDate>
<description><![CDATA[After rediscovering a cache of ink on paper works made forty years ago, Ida Applebroog used the "Vagina Drawing" as a basis for the installation, "Mona Lisa." NewArtTV talks to the artist at her recent exhibition of both old and new works at Hauser & Wirth in New York.]]></description>
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<title><![CDATA[Inka Essenhigh]]></title>
<link>http://newarttv.com/index.php?id=351</link>
<guid>http://newarttv.com/index.php?id=351</guid>
<pubDate>2010-01-28T10:14:42-43:00</pubDate>
<description><![CDATA[Landscapes, drawn from observation and serving as stages for fantastical beings, are the central theme of new paintings by Inka Essenhigh, shown at 303 Gallery in New York.  Essenhigh talks about her move away from the full-on surrealism of her earlier work and towards a more naturalistic style. ]]></description>
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<title><![CDATA[Living With Art: Joe Amrhein and Susan Swenson]]></title>
<link>http://newarttv.com/index.php?id=350</link>
<guid>http://newarttv.com/index.php?id=350</guid>
<pubDate>2010-01-21T10:16:45-35:00</pubDate>
<description><![CDATA[Joe Amrhein founded the pioneering Williamsburg gallery Pierogi 2000, which he runs with his wife Susan Swenson.  Joe and Susan, who live in a loft next door to the gallery, also regularly acquire the work of artists they work with. NewArtTV visits the couple at home for a tour of the collection.   ]]></description>
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<title><![CDATA[David Humphrey: Pieces of Rome]]></title>
<link>http://newarttv.com/index.php?id=349</link>
<guid>http://newarttv.com/index.php?id=349</guid>
<pubDate>2009-11-22T10:11:39-01:00</pubDate>
<description><![CDATA[In 2008 New Yorker David Humphrey won the American Academy's Rome Prize and set off on a year in Rome, where he absorbed the history-rich urban environment and made drawings, paintings and photographs. Back in his lower Manhattan studio, Humphrey reveals some of what the year in Rome did to his work.]]></description>
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<title><![CDATA[Lucio Pozzi: Mini Paintings]]></title>
<link>http://newarttv.com/index.php?id=348</link>
<guid>http://newarttv.com/index.php?id=348</guid>
<pubDate>2009-11-20T10:17:37-31:00</pubDate>
<description><![CDATA[Painter,  sculptor, watercolorist, and performance artist, Lucio Pozzi has ranged over a wide spectrum of media, styles and genres over a fifty-year career - including small abstractions on canvas that he calls mini paintings, products of a characteristic dance between system and improvisation.  NewArtTV interviews Pozzi at his winter 2009 exhibition of "twain" mini's at the Creon Gallery in New York.]]></description>
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<title><![CDATA[Massimiliano Gioni on Urs Fischer]]></title>
<link>http://newarttv.com/index.php?id=347</link>
<guid>http://newarttv.com/index.php?id=347</guid>
<pubDate>2009-11-02T10:14:41-43:00</pubDate>
<description><![CDATA[At the New Museum in New York, sculpture and installations by Swiss-American Urs Fischer; exhibition curator Massimiliano Gioni offers commentary.]]></description>
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<title><![CDATA[Merrill Wagner]]></title>
<link>http://newarttv.com/index.php?id=346</link>
<guid>http://newarttv.com/index.php?id=346</guid>
<pubDate>2009-10-26T10:22:57-40:00</pubDate>
<description><![CDATA[Merrill Wagner's highly abstracted landscapes are also meditations on the materials - support, pigments - that they're made of. A visit with the artist in her New York studio. ]]></description>
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<title><![CDATA[Art from Pakistan at Asia Society]]></title>
<link>http://newarttv.com/index.php?id=345</link>
<guid>http://newarttv.com/index.php?id=345</guid>
<pubDate>2009-09-17T10:21:12-42:00</pubDate>
<description><![CDATA["Hanging Fire: Contemporary Art from Pakistan," at Asia Society (Sept. 2009-Jan. 2010) is billed as the first major U.S. museum survey of contemporary art from Pakistan. A visit at the media preview features an interview with curator Salima Hashmi and spotlights work by Hamra Abbas, Bani Abidi Zahoor ul Akhlaq, Faiza Butt, Ayaz Jokhio, Naiza Khan, Huma Mulji, Asma Mundrawala, Imran Qureshi, Rashid Rana, Anwar Saeed, and Adeela Suleman.]]></description>
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<title><![CDATA[David Row]]></title>
<link>http://newarttv.com/index.php?id=344</link>
<guid>http://newarttv.com/index.php?id=344</guid>
<pubDate>2009-09-05T10:13:46-31:00</pubDate>
<description><![CDATA[A studio visit with the New York-based painter and drawing maker David Row, who presents his recent work, traces his development, and reflects on  abstract painting's open-ended possibilities of meaning.]]></description>
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<title><![CDATA[Brendan Cass]]></title>
<link>http://newarttv.com/index.php?id=343</link>
<guid>http://newarttv.com/index.php?id=343</guid>
<pubDate>2009-08-25T10:13:56-01:00</pubDate>
<description><![CDATA[Brendan Cass scavenges for photographs of (mostly) European travel spots, gleaned from the Web and wherever they're to be found. The pictures serve Cass as points of departure for loose and liquidy landscapes that veer to (and over) the edge of abstraction. NewArtTV visits the artist in his Williamsburg studio as he prepares for a solo show.]]></description>
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<title><![CDATA[Sanford Biggers]]></title>
<link>http://newarttv.com/index.php?id=342</link>
<guid>http://newarttv.com/index.php?id=342</guid>
<pubDate>2009-08-09T10:14:25-43:00</pubDate>
<description><![CDATA[Sanford Biggers draws equally from African-American pop culture and Asian/Buddhist influences  for his sculptures, installations and videos.  A studio visit in the artist's Harlem studio.]]></description>
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<title><![CDATA[Bruce Nauman at the Venice Biennale ]]></title>
<link>http://newarttv.com/index.php?id=341</link>
<guid>http://newarttv.com/index.php?id=341</guid>
<pubDate>2009-07-09T10:12:42-22:00</pubDate>
<description><![CDATA[Bruce Nauman at the Venice Biennale]]></description>
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<title><![CDATA[The End, by Ragnar Kjartansson]]></title>
<link>http://newarttv.com/index.php?id=340</link>
<guid>http://newarttv.com/index.php?id=340</guid>
<pubDate>2009-06-26T10:12:43-51:00</pubDate>
<description><![CDATA[In a 6-month-long performance titled "The End at the 2009 Venice Biennale, Icelandic artist Ragnar Kjartansson smoked a lot of cigarettes, painted a male model, played his guitar, and experienced a fine Venice-inspired melancholy. NewArtTV interviewed Kjartansson at the Iceland Pavilion on Biennale opening week as the artist reflects on the decline of masculinity, of painting, of Venice, and his strange affection for the end.. ]]></description>
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<title><![CDATA[Wolfgang Staehle]]></title>
<link>http://newarttv.com/index.php?id=339</link>
<guid>http://newarttv.com/index.php?id=339</guid>
<pubDate>2009-05-15T10:15:01-25:00</pubDate>
<description><![CDATA[Wolfgang Staehle's time-lapse photography projects began in the mid-90's with a webcam real-time depiction of the Empire State Building, photographed every ten seconds and the images transmitted over the internet. His April-May 2009 exhibition at Postmasters Gallery presented five projects based on the same concept (one of them a video), and made over the last several years, with the selection of sites alluding to Thomas Cole's series of allegorical landscape paintings (at the New-York Historical Society), "The Course of Empire."  ]]></description>
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<title><![CDATA[Hernan Bas]]></title>
<link>http://newarttv.com/index.php?id=338</link>
<guid>http://newarttv.com/index.php?id=338</guid>
<pubDate>2009-05-07T10:22:00-47:00</pubDate>
<description><![CDATA[His ten-year survey (at age 31!) at the Brooklyn Museum may be thick with his signature Dandies-in-Wonderland, but at Lehmann Maupin Gallery on the Lower East Side, Hernan Bas is showing the new stuff: large paintings that reference avant-garde theater and veer closely to full-out abstraction.]]></description>
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<title><![CDATA[Kent Twitchell]]></title>
<link>http://newarttv.com/index.php?id=337</link>
<guid>http://newarttv.com/index.php?id=337</guid>
<pubDate>2009-04-21T10:13:56-13:00</pubDate>
<description><![CDATA[Kent Twitchell, one of LA's most prominent outdoor muralists, and many of whose oversized portraits have famously been destroyed, has an indoor show at LOOK gallery.]]></description>
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<title><![CDATA[Mark Dutcher]]></title>
<link>http://newarttv.com/index.php?id=336</link>
<guid>http://newarttv.com/index.php?id=336</guid>
<pubDate>2009-04-02T10:17:01-26:00</pubDate>
<description><![CDATA[A Video Review by Mat Gleason. Mat Gleason of Coagula.net blends video and text commentary to review a February-March exhibition at Steve Turner Contemporary in Los Angeles by Mark Dutcher, and in the process pushes the boundaries of the art review genre.  Is this the future of art criticism? someone asked of this video. We think so - part of it, at least -  but in any event you can look ahead to more of these new-genre video reviews by the Coagula.net founder and new NewArtTV contributor.]]></description>
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<title><![CDATA[Dana Schutz.09]]></title>
<link>http://newarttv.com/index.php?id=335</link>
<guid>http://newarttv.com/index.php?id=335</guid>
<pubDate>2009-03-29T10:16:33-14:00</pubDate>
<description><![CDATA[In her Spring 2009 exhibition at Zach Feuer Gallery, "Missing Pictures,"  Dana Schutz offers depictions of individual and group situations that "should be there but aren't there."]]></description>
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<title><![CDATA[Kamrooz Aram]]></title>
<link>http://newarttv.com/index.php?id=334</link>
<guid>http://newarttv.com/index.php?id=334</guid>
<pubDate>2009-03-12T10:12:59-40:00</pubDate>
<description><![CDATA[Born in Iran and raised and educated in the US, Kamrooz Aram makes his way through the legacy of two cultures by a very personal use of Western and Eastern religious and other symbols. A walkthrough of his March 2009 exhibition at Perry Rubenstein Gallery. ]]></description>
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<title><![CDATA[Julianne Swartz]]></title>
<link>http://newarttv.com/index.php?id=333</link>
<guid>http://newarttv.com/index.php?id=333</guid>
<pubDate>2009-03-01T10:16:33-38:00</pubDate>
<description><![CDATA[Julianne Swartz' sound installation "Terrain," originally created for the Indianapolis Museum of Art and redone in a smaller version at the Josee Bienvenue Gallery in New York, is a canopy of tender song, whispers and hums. ]]></description>
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<item>
<title><![CDATA[Ana Prvacki at the Sydney Biennale]]></title>
<link>http://newarttv.com/index.php?id=332</link>
<guid>http://newarttv.com/index.php?id=332</guid>
<pubDate>2009-02-26T10:18:21-58:00</pubDate>
<description><![CDATA[In "Music Derived Painkillers" at the 2008 Sydney Biennale, performance artist Ana Prvacki takes up the flute to produce..saliva - which she collects, packages and offers up for its analgesic qualities. The Singapore-based artist in performance, an in an interview with NewArtTV Australia correspondent Nicholas Forrest.  ]]></description>
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<item>
<title><![CDATA[Gerard Mosse]]></title>
<link>http://newarttv.com/index.php?id=331</link>
<guid>http://newarttv.com/index.php?id=331</guid>
<pubDate>2009-02-23T10:23:28-32:00</pubDate>
<description><![CDATA[Gerard Mosse evokes light in painting and watercolors, in layered compositions intended to suggest the registration of personal experience and identity. A studio visit with the New York-based artist.]]></description>
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<item>
<title><![CDATA[Wlodzimierz Ksiazek]]></title>
<link>http://newarttv.com/index.php?id=330</link>
<guid>http://newarttv.com/index.php?id=330</guid>
<pubDate>2009-02-20T10:15:11-29:00</pubDate>
<description><![CDATA[Wlodzimierz Ksiazek views abstract painting as a medium for processing personal experience that often have social and political dimensions.  A walk-through with the artist of his exhibition at Kouros Gallery in February 2009. ]]></description>
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<item>
<title><![CDATA[Jonas Mekas]]></title>
<link>http://newarttv.com/index.php?id=329</link>
<guid>http://newarttv.com/index.php?id=329</guid>
<pubDate>2009-02-17T10:18:39-59:00</pubDate>
<description><![CDATA[Jonas Mekas, pillar of avant-garde film, known for a signature diaristic style, recently showed several series of stills drawn from films from the Sixties and Seventies, at Maya Stendhal Gallery in New York.  A studio visit and exhibition walk-through with the artist. ]]></description>
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<item>
<title><![CDATA[Andrew Wyeth Draws A Portrait]]></title>
<link>http://newarttv.com/index.php?id=328</link>
<guid>http://newarttv.com/index.php?id=328</guid>
<pubDate>2009-02-09T10:21:35-19:00</pubDate>
<description><![CDATA[In June 1993 Andrew Wyeth, the creator of the famed "Christina's World" and probably the best-known American realist painter, drew a portrait of former Metropolitan Museum of Art director Thomas Hoving. Hoving videotaped the latter part of the sitting, making the only known film or video record of Wyeth (who died January 16, 2009) at work. ]]></description>
</item>	
<item>
<title><![CDATA[Rirkrit Tiravanija]]></title>
<link>http://newarttv.com/index.php?id=327</link>
<guid>http://newarttv.com/index.php?id=327</guid>
<pubDate>2009-01-19T10:16:54-42:00</pubDate>
<description><![CDATA[Rirkrit Tiravanija, icon of relational esthetics, creates installations/events centered around food.  Tiravanija served up vegetarian curry daily to gallery-goers at David Zwirner in March-May 2007. ]]></description>
</item>	
<item>
<title><![CDATA[Mike Berg]]></title>
<link>http://newarttv.com/index.php?id=326</link>
<guid>http://newarttv.com/index.php?id=326</guid>
<pubDate>2009-01-17T10:19:25-08:00</pubDate>
<description><![CDATA[In moving to Istanbul American artist Mike Berg found the ideal context to make his work.  ]]></description>
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<item>
<title><![CDATA[Eric Doeringer]]></title>
<link>http://newarttv.com/index.php?id=325</link>
<guid>http://newarttv.com/index.php?id=325</guid>
<pubDate>2009-01-15T10:07:48-23:00</pubDate>
<description><![CDATA[Eric Doeringer makes copies of work by today's most successful artists]]></description>
</item>	
<item>
<title><![CDATA[Eric Fischl]]></title>
<link>http://newarttv.com/index.php?id=324</link>
<guid>http://newarttv.com/index.php?id=324</guid>
<pubDate>2008-12-14T10:16:05-56:00</pubDate>
<description><![CDATA[Eric Fischl]]></description>
</item>	
<item>
<title><![CDATA[Dorothea Rockburne]]></title>
<link>http://newarttv.com/index.php?id=323</link>
<guid>http://newarttv.com/index.php?id=323</guid>
<pubDate>2008-11-05T10:22:01-30:00</pubDate>
<description><![CDATA[Born in Canada, Dorothea Rockburne attended the famously experimental Black Mountain College before moving to New York; At Black Mountain she discovered and studied mathematics, which  has informed her work throughout her career. NewArtTV visits Rockburne in her Soho studio, where she talks about her current work and the key paper constructions from the Seventies. ]]></description>
</item>	
<item>
<title><![CDATA[Adam McEwen]]></title>
<link>http://newarttv.com/index.php?id=322</link>
<guid>http://newarttv.com/index.php?id=322</guid>
<pubDate>2008-10-23T10:21:10-46:00</pubDate>
<description><![CDATA[Adam McEwen ranges eclectically across the pop and consumer landscape for source material, from chewing gum on the street to celebrity obituaries and air conditioners. What links all these explorations are the surprising connections he makes between the pop and consumer landscape and his personal experience. A studio visit with the British-born artist in New York, where he's lived since 2000. ]]></description>
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<item>
<title><![CDATA[April Gornik]]></title>
<link>http://newarttv.com/index.php?id=321</link>
<guid>http://newarttv.com/index.php?id=321</guid>
<pubDate>2008-10-21T10:17:11-36:00</pubDate>
<description><![CDATA[Drawn from a recent trip to Namibia, Botswana and Tanzania, April Gornik's new landscape paintings are part documentary reality, part composite fantasies, offering themselves as metaphors for memory.]]></description>
</item>	
<item>
<title><![CDATA[Ariane Lopez-Huici]]></title>
<link>http://newarttv.com/index.php?id=320</link>
<guid>http://newarttv.com/index.php?id=320</guid>
<pubDate>2008-10-16T10:17:09-15:00</pubDate>
<description><![CDATA[Ariane Lopez-Huici makes photographic portraits of big women, partly inspired out of a desire to challenge what she sees as a stifling conformity of physical types and sexual ideals. An encounter with the artist about her work on the occasion of a solo exhibition at the New York Studio School.]]></description>
</item>	
<item>
<title><![CDATA[Steve Shane 2 of 2]]></title>
<link>http://newarttv.com/index.php?id=319</link>
<guid>http://newarttv.com/index.php?id=319</guid>
<pubDate>2008-10-14T10:14:18-20:00</pubDate>
<description><![CDATA[Steve Shane is a passionate art collector with eclectic tastes, but from the nearly thousand diverse artworks that he has amassed over the last three decades, Shane recognizes recurring tendencies and themes, like "art about art," "painting without paint," and "dysfunctional family."  In this two-part profile, Shane visits a new show by a favorite artist, offers a tour of the art in his Manhattan apartment, checks out the offerings at two New York art fairs, and talks about how he developed a love of art. ]]></description>
</item>	
<item>
<title><![CDATA[Steve Shane 1 of 2]]></title>
<link>http://newarttv.com/index.php?id=318</link>
<guid>http://newarttv.com/index.php?id=318</guid>
<pubDate>2008-10-14T10:12:18-43:00</pubDate>
<description><![CDATA[Steve Shane is a passionate art collector with eclectic tastes, but from the nearly thousand diverse artworks that he has amassed over the last three decades, Shane recognizes recurring tendencies and themes, like "art about art," "painting without paint," and "dysfunctional family."  In this two-part profile, Shane visits a new show by a favorite artist, offers a tour of the art in his Manhattan apartment, checks out the offerings at two New York art fairs, and talks about how he developed a love of art. ]]></description>
</item>	
<item>
<title><![CDATA[Steve Miller]]></title>
<link>http://newarttv.com/index.php?id=317</link>
<guid>http://newarttv.com/index.php?id=317</guid>
<pubDate>2008-09-21T10:18:48-26:00</pubDate>
<description><![CDATA[Long fascinated by science and technology, Steve Miller makes paintings and prints that depict neolithic pottery, the machinery and mathematics of nuclear research, and X-rayed Amazon plant life.  NewArtTV visits the New York-based artist at his summer studio in the Hamptons. ]]></description>
</item>	
<item>
<title><![CDATA[Richard Dupont]]></title>
<link>http://newarttv.com/index.php?id=316</link>
<guid>http://newarttv.com/index.php?id=316</guid>
<pubDate>2008-09-14T10:16:27-58:00</pubDate>
<description><![CDATA[New York artist Richard Dupont believes that the processing of information in the digital age can affect the way we view the physical world. Informed by that idea, Dupont uses 3D computer scans of his own body to add a new dimension to figurative sculpture. ]]></description>
</item>	
<item>
<title><![CDATA[Ian Burns]]></title>
<link>http://newarttv.com/index.php?id=315</link>
<guid>http://newarttv.com/index.php?id=315</guid>
<pubDate>2008-08-27T10:17:08-13:00</pubDate>
<description><![CDATA[Ian Burns makes motorized sculptures and installations that produce images as they also display their own crazy innards. NewArtTV visits the Australian-born artist in his Long Island City studio.]]></description>
</item>	
<item>
<title><![CDATA[Daniel and Geo Fuchs Shoot Vik Muniz]]></title>
<link>http://newarttv.com/index.php?id=314</link>
<guid>http://newarttv.com/index.php?id=314</guid>
<pubDate>2008-08-23T10:18:32-21:00</pubDate>
<description><![CDATA[Artists (and husband and wife) Daniel and Geo Fuchs photograph Vik Muniz for their "Famous Eyes" book project. ]]></description>
</item>	
<item>
<title><![CDATA[Theo Jansen]]></title>
<link>http://newarttv.com/index.php?id=313</link>
<guid>http://newarttv.com/index.php?id=313</guid>
<pubDate>2008-08-12T10:23:43-27:00</pubDate>
<description><![CDATA[Theo Jansen makes big insectoid sculptures that are ingeniously engineered to scuttle about on wind power. A visit with the Dutch artist in his studio outside Delft.  ]]></description>
</item>	
<item>
<title><![CDATA[Paul Pagk]]></title>
<link>http://newarttv.com/index.php?id=312</link>
<guid>http://newarttv.com/index.php?id=312</guid>
<pubDate>2008-08-12T10:17:07-46:00</pubDate>
<description><![CDATA[ Exploring Abstraction.]]></description>
</item>	
<item>
<title><![CDATA[Zak Smith 1 of 2]]></title>
<link>http://newarttv.com/index.php?id=311</link>
<guid>http://newarttv.com/index.php?id=311</guid>
<pubDate>2008-08-01T10:11:10-42:00</pubDate>
<description><![CDATA[Studio Visit: Zak SmithZak Smith's paintings and drawings combine comic book realism, a Punk graphic sensibility, and the decorativeness and surface opulence of Gustav Klimt. In an early 2007 studio visit with Smith in Brooklyn ( he now lives in Los Angeles) he talks about his portraits of women, the importance of technique and medium, and his new series of drawings, based on his experience as a porn actor.]]></description>
</item>	
<item>
<title><![CDATA[Zak Smith 2 of 2]]></title>
<link>http://newarttv.com/index.php?id=310</link>
<guid>http://newarttv.com/index.php?id=310</guid>
<pubDate>2008-08-01T10:09:37-32:00</pubDate>
<description><![CDATA[Zak Smith talks about illustrating each page of Pynchon's Gravitys' Rainbow and 100 Girls and 100 Octopuses.]]></description>
</item>	
<item>
<title><![CDATA[Dove Bradshaw 1 of 2]]></title>
<link>http://newarttv.com/index.php?id=309</link>
<guid>http://newarttv.com/index.php?id=309</guid>
<pubDate>2008-07-26T10:00:43-58:00</pubDate>
<description><![CDATA[In 1975 Dove Bradshaw put a wall label with the title "Performance" next to one of the encased fire hoses at the Metropolitan Museum of Art.  When the label would inevitably be removed, she replaced it with a new one.  "Performance" was a clever new twist on the Duchampian ready-made.  With the passage of years the Met decided that it had a bona fide artwork on its hands, and left the label untouched; in 2006, it acquired “Performance” - its own fire hose, together with Bradshaw's label - for its permanent collection.Interested in bringing awareness to things that are innocuously present, Bradshaw turned her attention to framing and capturing various natural and chemical processes: the effect of water on stone and salt, of copper oxidation on marble, of heat on acetone.  In part 1 of a two-part profile, NewArtTV visits Bradshaw at her studio, where she offers an overview of her work. In part 2 Bradshaw talks about the influence of her long-time companion William Anastasi, and she installs and celebrates her solo show at Björn Ressle Gallery in New York in April 2007, where she exhibited new silver oxide paintings and a selection of sculptures.]]></description>
</item>	
<item>
<title><![CDATA[Dove Bradshaw 2 of 2]]></title>
<link>http://newarttv.com/index.php?id=308</link>
<guid>http://newarttv.com/index.php?id=308</guid>
<pubDate>2008-07-24T10:18:41-25:00</pubDate>
<description><![CDATA[In 1975 Dove Bradshaw put a wall label with the title "Performance" next to one of the encased fire hoses at the Metropolitan Museum of Art.  When the label would inevitably be removed, she replaced it with a new one.  "Performance" was a clever new twist on the Duchampian ready-made.  With the passage of years the Met decided that it had a bona fide artwork on its hands, and left the label untouched; in 2006, it acquired “Performance” - its own fire hose, together with Bradshaw's label - for its permanent collection.Interested in bringing awareness to things that are innocuously present, Bradshaw turned her attention to framing and capturing various natural and chemical processes: the effect of water on stone and salt, of copper oxidation on marble, of heat on acetone.  In part 1 of a two-part profile, NewArtTV visits Bradshaw at her studio, where she offers an overview of her work. In part 2 Bradshaw talks about the influence of her long-time companion William Anastasi, and she installs and celebrates her solo show at Björn Ressle Gallery in New York in April 2007, where she exhibited new silver oxide paintings and a selection of sculptures.]]></description>
</item>	
<item>
<title><![CDATA[Mary Judge]]></title>
<link>http://newarttv.com/index.php?id=307</link>
<guid>http://newarttv.com/index.php?id=307</guid>
<pubDate>2008-07-12T10:13:46-50:00</pubDate>
<description><![CDATA[Studio Visit: Mary Judge]]></description>
</item>	
<item>
<title><![CDATA[The New York City Waterfalls]]></title>
<link>http://newarttv.com/index.php?id=306</link>
<guid>http://newarttv.com/index.php?id=306</guid>
<pubDate>2008-07-08T10:03:01-54:00</pubDate>
<description><![CDATA[The Danish-Icelandic artist creates one of the biggest public art projects ever realized in New York. ]]></description>
</item>	
<item>
<title><![CDATA[Thomas Demand at PhotoEspaña]]></title>
<link>http://newarttv.com/index.php?id=305</link>
<guid>http://newarttv.com/index.php?id=305</guid>
<pubDate>2008-07-08T10:02:35-21:00</pubDate>
<description><![CDATA[New works by the German conceptual photographer exhibited at the PhotoEspaña 08 festival in Madrid evoked the 2000 U.S. Presidential election recount, Princess Diana's death in a Paris tunnel, and the murder of a child in Germany. ]]></description>
</item>	
<item>
<title><![CDATA[Florian Maier-Aichen ]]></title>
<link>http://newarttv.com/index.php?id=304</link>
<guid>http://newarttv.com/index.php?id=304</guid>
<pubDate>2008-07-08T10:02:20-34:00</pubDate>
<description><![CDATA[Shooting from high up, and a historical perspective, Maier-Aichen rethinks landscape photography. ]]></description>
</item>	
<item>
<title><![CDATA[Jonathan Meese]]></title>
<link>http://newarttv.com/index.php?id=303</link>
<guid>http://newarttv.com/index.php?id=303</guid>
<pubDate>2008-06-22T10:13:07-06:00</pubDate>
<description><![CDATA[Jonathan Meese at Bortolami Gallery]]></description>
</item>	
<item>
<title><![CDATA[Cindy Tower]]></title>
<link>http://newarttv.com/index.php?id=302</link>
<guid>http://newarttv.com/index.php?id=302</guid>
<pubDate>2008-05-30T10:08:55-21:00</pubDate>
<description><![CDATA[Over the last few years Cindy Tower has been going around the country in search of ruins - abandoned factories and shipyards in Texas, Connecticut and Brooklyn - and immortalizing them in paint. "I...grew up with a Yankee make-thrift aesthetic," she says. "I decided to paint paintings honoring vanishing American industries because everything I love is disappearing." Now living in Missouri, Tower has been at work in a former coal plant in the St. Louis area. She was given a survey at Southeast Missouri State's Crisp Museum; director Stanley Grand offers his perspective on the "Workplace Series."]]></description>
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<item>
<title><![CDATA[Amy Yoes]]></title>
<link>http://newarttv.com/index.php?id=301</link>
<guid>http://newarttv.com/index.php?id=301</guid>
<pubDate>2008-05-29T10:11:05-34:00</pubDate>
<description><![CDATA[For Amy Yoes architecture is a starting point for sculpture, photographs and animation.  ]]></description>
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<item>
<title><![CDATA[Sean Cordeiro and Claire Healy]]></title>
<link>http://newarttv.com/index.php?id=300</link>
<guid>http://newarttv.com/index.php?id=300</guid>
<pubDate>2008-05-29T10:10:46-55:00</pubDate>
<description><![CDATA["Disruptive Colourations," a collaborative exhibition at Barry Keldoulis Gallery, Sydney]]></description>
</item>	
<item>
<title><![CDATA[Olafur Eliasson]]></title>
<link>http://newarttv.com/index.php?id=299</link>
<guid>http://newarttv.com/index.php?id=299</guid>
<pubDate>2008-05-24T10:09:29-48:00</pubDate>
<description><![CDATA["Olafur Eliasson: Take Your Time" at MoMA and P.S. 1.Olafur Eliasson's installations and sculptures  propose an idea of art as an elemental experience, encounters with light, water, wind, steam, moss, and stone. In this interview at the opening f a major survey at MoMA and P.S 1, Eliasson talks about the ethical and political dimensions in works that invite you to "take your time" to take a fresh look at the most familiar of things. ]]></description>
</item>	
<item>
<title><![CDATA[Ashley Bickerton]]></title>
<link>http://newarttv.com/index.php?id=298</link>
<guid>http://newarttv.com/index.php?id=298</guid>
<pubDate>2008-05-09T10:23:20-19:00</pubDate>
<description><![CDATA["I wanted to ride that precise edge between desire and repulsion," says Ashley Bickerton about a series of new paintings that are equal parts sexy tropical fantasy and zombie horror show.  A former New York bad-boy artist, Bickerton moved to Bali in the mid-90's. At an exhibition at his New York gallery Bickerton talks about the evolution of his work and the complicated interplay of life and art.  ]]></description>
</item>	
<item>
<title><![CDATA[Brian Belott and Larissa Velez: The Wordless Chorus]]></title>
<link>http://newarttv.com/index.php?id=297</link>
<guid>http://newarttv.com/index.php?id=297</guid>
<pubDate>2008-05-02T10:22:07-14:00</pubDate>
<description><![CDATA[Brian Belott, Larissa Velez and The Wordless Chorus Perform at the Dark Fair, Swiss Institute. ]]></description>
</item>	
<item>
<title><![CDATA[Lucio Pozzi: The Competent Sleep]]></title>
<link>http://newarttv.com/index.php?id=296</link>
<guid>http://newarttv.com/index.php?id=296</guid>
<pubDate>2008-04-24T10:20:33-12:00</pubDate>
<description><![CDATA[Lucio Pozzi, who works in various media including performance, did an "8-hour-long inaction" titled The Competent Sleep in four New York galleries venues on April 24, 2008 - this one at the Marvelli Gallery.]]></description>
</item>	
<item>
<title><![CDATA[Jeff Koons at the Metropolitan]]></title>
<link>http://newarttv.com/index.php?id=295</link>
<guid>http://newarttv.com/index.php?id=295</guid>
<pubDate>2008-04-21T10:20:41-03:00</pubDate>
<description><![CDATA[Jeff Koons inaugurates an installation of three sculptures from his "Celebration" series on the roof of the Metropolitan Museum of Art. ]]></description>
</item>	
<item>
<title><![CDATA[van Gogh at The European Fine Art Fair]]></title>
<link>http://newarttv.com/index.php?id=294</link>
<guid>http://newarttv.com/index.php?id=294</guid>
<pubDate>2008-04-10T10:10:44-36:00</pubDate>
<description><![CDATA["The Child with an Orange," painted two weeks before his death.]]></description>
</item>	
<item>
<title><![CDATA[Studio Visit: Kehinde Wiley]]></title>
<link>http://newarttv.com/index.php?id=293</link>
<guid>http://newarttv.com/index.php?id=293</guid>
<pubDate>2008-04-09T10:11:03-02:00</pubDate>
<description><![CDATA[Studio Visit:Kehinde Wiley]]></description>
</item>	
<item>
<title><![CDATA[Diaspora at the Quai Branly Museum]]></title>
<link>http://newarttv.com/index.php?id=292</link>
<guid>http://newarttv.com/index.php?id=292</guid>
<pubDate>2008-04-08T10:21:19-00:00</pubDate>
<description><![CDATA[From Africa, Expression and Influence in film, fashion, and art.]]></description>
</item>	
<item>
<title><![CDATA[Tim Hawkinson]]></title>
<link>http://newarttv.com/index.php?id=291</link>
<guid>http://newarttv.com/index.php?id=291</guid>
<pubDate>2008-04-05T10:17:52-02:00</pubDate>
<description><![CDATA[How Man is Knit: A Conversation with Tim Hawkinson.The famously inventive artist walks through his last New York gallery show (at Pace-Wildenstein), where there are bodies scattered everywhere...]]></description>
</item>	
<item>
<title><![CDATA[Takashi Murakami at the Brooklyn Museum]]></title>
<link>http://newarttv.com/index.php?id=290</link>
<guid>http://newarttv.com/index.php?id=290</guid>
<pubDate>2008-04-05T10:11:35-36:00</pubDate>
<description><![CDATA[Takashi Murakami at the Brooklyn Museum.]]></description>
</item>	
<item>
<title><![CDATA[Olaf Breuning]]></title>
<link>http://newarttv.com/index.php?id=289</link>
<guid>http://newarttv.com/index.php?id=289</guid>
<pubDate>2008-03-29T10:16:30-56:00</pubDate>
<description><![CDATA[A Studio Visit with Olaf Breuning as he prepares a sculptural installation, photograph, and film for the 2008 Whitney Biennial. ]]></description>
</item>	
<item>
<title><![CDATA[Whitney Biennial 2008]]></title>
<link>http://newarttv.com/index.php?id=288</link>
<guid>http://newarttv.com/index.php?id=288</guid>
<pubDate>2008-03-26T10:17:48-39:00</pubDate>
<description><![CDATA[The 2008 Whitney Biennial was held for the first time in two venues, the Whitney Museum and the Park Avenue Armory, and emphasized what co-curator Shamim M. Momin calls "expanded practice" -  performances, workshops. and participatory events.  ]]></description>
</item>	
<item>
<title><![CDATA[Matt Mullican at the Biennial]]></title>
<link>http://newarttv.com/index.php?id=287</link>
<guid>http://newarttv.com/index.php?id=287</guid>
<pubDate>2008-03-26T10:17:29-08:00</pubDate>
<description><![CDATA[For the Whitney Biennial 2008 Matt Mullican creates an installation, and goes under hypsnosis on stage at the Armory before an audience of hundreds to make a drawing.  ]]></description>
</item>	
<item>
<title><![CDATA[DJ Olive at the Biennial]]></title>
<link>http://newarttv.com/index.php?id=286</link>
<guid>http://newarttv.com/index.php?id=286</guid>
<pubDate>2008-03-26T10:17:10-23:00</pubDate>
<description><![CDATA[DJ Olive's Sound and Sculpture Installation at the 2008 Whitney Biennial. ]]></description>
</item>	
<item>
<title><![CDATA[Marina Rosenfeld at the Biennial I]]></title>
<link>http://newarttv.com/index.php?id=285</link>
<guid>http://newarttv.com/index.php?id=285</guid>
<pubDate>2008-03-26T10:16:55-58:00</pubDate>
<description><![CDATA[At the Armory, the 2008 Whitney Biennial's second site, Marina Rosenfeld orchestrates a  performance based on György Sándor Ligeti's "Lontano." ]]></description>
</item>	
<item>
<title><![CDATA[Marina Rosenfeld at the Biennial II]]></title>
<link>http://newarttv.com/index.php?id=284</link>
<guid>http://newarttv.com/index.php?id=284</guid>
<pubDate>2008-03-26T10:16:48-35:00</pubDate>
<description><![CDATA[At the Armory, the 2008 Whitney Biennial's second site, Marina Rosenfeld re-engineers György Sándor Ligeti's "Lontano" as a sound installation. ]]></description>
</item>	
<item>
<title><![CDATA[Cai Guo-Qiang at the Guggenheim]]></title>
<link>http://newarttv.com/index.php?id=283</link>
<guid>http://newarttv.com/index.php?id=283</guid>
<pubDate>2008-03-02T10:22:03-04:00</pubDate>
<description><![CDATA[Cai Guo-Qiang, whose main medium is gunpowder (and whose works on paper and canvas fetch millions), gets a mid-career survey at the Guggenheim. Some of the pyrotechnics are wow-provoking,  but the firework-induced images and the sculptural installations can seem facile and devoid of much emotional or intellectual substance. ]]></description>
</item>	
<item>
<title><![CDATA[Juan Usl at Cheim & Read]]></title>
<link>http://newarttv.com/index.php?id=282</link>
<guid>http://newarttv.com/index.php?id=282</guid>
<pubDate>2008-03-02T10:11:01-02:00</pubDate>
<description><![CDATA[Juan Usl's abstract paintings at Cheim & Read are some of his best work, more experimental and risk-taking than ever, resonant with feeling and the authenticity of being hard-won, and delightful in a dozen different ways. ]]></description>
</item>	
<item>
<title><![CDATA[Ry Fyan at Perry Rubenstein]]></title>
<link>http://newarttv.com/index.php?id=281</link>
<guid>http://newarttv.com/index.php?id=281</guid>
<pubDate>2008-03-02T10:03:32-06:00</pubDate>
<description><![CDATA[Ry Fyan's paintings at Perry Rubenstein are metaphors for mental states. It's crazy in there. ]]></description>
</item>	
<item>
<title><![CDATA[Joy Garnett at Winkleman]]></title>
<link>http://newarttv.com/index.php?id=280</link>
<guid>http://newarttv.com/index.php?id=280</guid>
<pubDate>2008-03-02T10:03:08-00:00</pubDate>
<description><![CDATA[Joy Garnett gets painterly with photographs culled from the Internet. ]]></description>
</item>	
<item>
<title><![CDATA[A New High in Getting Low (nyc)]]></title>
<link>http://newarttv.com/index.php?id=279</link>
<guid>http://newarttv.com/index.php?id=279</guid>
<pubDate>2008-03-02T10:02:54-25:00</pubDate>
<description><![CDATA[Somber, esoteric, self-absorbed: feeling for the New York pulse in a group show at John Connelly Presents.]]></description>
</item>	
<item>
<title><![CDATA[Honey Space]]></title>
<link>http://newarttv.com/index.php?id=278</link>
<guid>http://newarttv.com/index.php?id=278</guid>
<pubDate>2008-03-02T10:02:46-24:00</pubDate>
<description><![CDATA[Honey Space Gallery opens in Chelsea.]]></description>
</item>	
<item>
<title><![CDATA[Sanford Biggers at D'Amelio Terras]]></title>
<link>http://newarttv.com/index.php?id=277</link>
<guid>http://newarttv.com/index.php?id=277</guid>
<pubDate>2008-03-02T10:02:35-43:00</pubDate>
<description><![CDATA[Can you get to the top? "Cheshire," a video and sculpture installation by Sanford Biggers at D'Amelio Terras,  ]]></description>
</item>	
<item>
<title><![CDATA[Karim Rashid at Elga Wimmer]]></title>
<link>http://newarttv.com/index.php?id=276</link>
<guid>http://newarttv.com/index.php?id=276</guid>
<pubDate>2008-03-02T10:02:25-56:00</pubDate>
<description><![CDATA[The industrial designer celebrates Valentine's Day with a set of computer-generated plastic sculptures and prints.   ]]></description>
</item>	
<item>
<title><![CDATA[Jasper Johns: Drawings 1997-2007 at Matthew Marks]]></title>
<link>http://newarttv.com/index.php?id=274</link>
<guid>http://newarttv.com/index.php?id=274</guid>
<pubDate>2008-02-15T10:10:10-04:00</pubDate>
<description><![CDATA[Drawings by Jasper Johns (1997-2007) at Matthew Marks Gallery. ]]></description>
</item>	
<item>
<title><![CDATA[Studio Visit: Nina Montezinos]]></title>
<link>http://newarttv.com/index.php?id=273</link>
<guid>http://newarttv.com/index.php?id=273</guid>
<pubDate>2008-02-15T10:09:59-39:00</pubDate>
<description><![CDATA[Like Therapy: A Studio Visit with Nina Montezinos.]]></description>
</item>	
<item>
<title><![CDATA[Early Photography at H.P. Kraus]]></title>
<link>http://newarttv.com/index.php?id=272</link>
<guid>http://newarttv.com/index.php?id=272</guid>
<pubDate>2008-02-15T10:09:27-07:00</pubDate>
<description><![CDATA[Pioneers of Photography at H.P. Kraus Jr. Fine Photographs. ]]></description>
</item>	
<item>
<title><![CDATA[Elina Merenmies]]></title>
<link>http://newarttv.com/index.php?id=271</link>
<guid>http://newarttv.com/index.php?id=271</guid>
<pubDate>2008-02-15T10:09:18-47:00</pubDate>
<description><![CDATA[Tapping the Dream Tree: Elina Merenmies at Scandinavia House. ]]></description>
</item>	
<item>
<title><![CDATA[Markus Kahre]]></title>
<link>http://newarttv.com/index.php?id=270</link>
<guid>http://newarttv.com/index.php?id=270</guid>
<pubDate>2008-02-15T10:09:12-43:00</pubDate>
<description><![CDATA[Space for the Viewer: Sculptor and Installation Maker Markus Kahre at Scandinavia House.]]></description>
</item>	
<item>
<title><![CDATA[Anna Tuori]]></title>
<link>http://newarttv.com/index.php?id=269</link>
<guid>http://newarttv.com/index.php?id=269</guid>
<pubDate>2008-02-15T10:09:03-18:00</pubDate>
<description><![CDATA[Arcadian Dystopia: Painter Anna Tuori at Scandinavia House.]]></description>
</item>	
<item>
<title><![CDATA[Elina Brotherus]]></title>
<link>http://newarttv.com/index.php?id=268</link>
<guid>http://newarttv.com/index.php?id=268</guid>
<pubDate>2008-02-15T10:08:54-12:00</pubDate>
<description><![CDATA[Light Bath: Photographer and Videomaker Elina Brotherus at Scandinavia House. ]]></description>
</item>	
<item>
<title><![CDATA["Jasper Johns: Gray" at the Metropolitan Museum]]></title>
<link>http://newarttv.com/index.php?id=267</link>
<guid>http://newarttv.com/index.php?id=267</guid>
<pubDate>2008-02-09T10:14:47-36:00</pubDate>
<description><![CDATA[In what amounts to a selective survey of Johns's career through a single prism, the Metropolitan Museum of Art presents "Jasper Johns: Gray," organized by the Art Institute of Chicago. The exhibition brings together paintings, sculptures, and works on paper done in numerous variations of a color that Johns has consistently turned to over five decades. Commentary by Metropolitan Museum Senior Curator Nan Rosenthal and journalist and critic Adrian Dannatt.  ]]></description>
</item>	
<item>
<title><![CDATA[Laurie Simmons]]></title>
<link>http://newarttv.com/index.php?id=265</link>
<guid>http://newarttv.com/index.php?id=265</guid>
<pubDate>2008-01-30T10:23:14-39:00</pubDate>
<description><![CDATA[A pioneer of conceptual photography, Laurie Simmons is at work on a new series of staged compositions using images of online porn that refer to photographs she made 25 years ago of women in color-coordinated domestic interiors. Part 1 of a two-part profile. ]]></description>
</item>	
<item>
<title><![CDATA[Living with Art: Episode 2, The Brunch]]></title>
<link>http://newarttv.com/index.php?id=264</link>
<guid>http://newarttv.com/index.php?id=264</guid>
<pubDate>2008-01-30T10:23:02-36:00</pubDate>
<description><![CDATA[It's brunch time: New York collectors Susan and Michael Hort share a passion for contemporary art and discovering new talents. Over twenty years they've assembled a collection focused on emerging artists that now numbers over 2,000 works. Every year during the New York art fairs, they make a selection of newly acquired works, install them in their 10,000 square-foot, downtown triplex, and invite hundreds of friends and art-world people over for a viewing.In episode 2 of the NewArtTV profile of the Horts, Susan and Michael open their doors to their friends and art world notables for a viewing of their latest acquisitions. ]]></description>
</item>	
<item>
<title><![CDATA[Jan De Cock at MoMA]]></title>
<link>http://newarttv.com/index.php?id=263</link>
<guid>http://newarttv.com/index.php?id=263</guid>
<pubDate>2008-01-26T10:15:48-30:00</pubDate>
<description><![CDATA[Belgian Artist Jan De Cock's installation at the Museum of Modern Art is a meditation on the museum's collection and spaces. ]]></description>
</item>	
<item>
<title><![CDATA[Wangechi Mutu]]></title>
<link>http://newarttv.com/index.php?id=262</link>
<guid>http://newarttv.com/index.php?id=262</guid>
<pubDate>2008-01-22T10:02:35-45:00</pubDate>
<description><![CDATA[Wangechi Mutu installs her work at the Brooklyn Museum's "Global Feminisms" Exhibition, Spring 2007. ]]></description>
</item>	
<item>
<title><![CDATA[FIAC Art Fair]]></title>
<link>http://newarttv.com/index.php?id=261</link>
<guid>http://newarttv.com/index.php?id=261</guid>
<pubDate>2008-01-20T10:16:52-02:00</pubDate>
<description><![CDATA[Highlights of the FIAC Art Fair, Paris, October 07.]]></description>
</item>	
<item>
<title><![CDATA[Wolf Kahn Part 2 of 2]]></title>
<link>http://newarttv.com/index.php?id=260</link>
<guid>http://newarttv.com/index.php?id=260</guid>
<pubDate>2008-01-20T10:00:15-15:00</pubDate>
<description><![CDATA[Comeback: The NewArtTV studio visit with Wolf Kahn, Part 2 of 2.Born in Stuttgart in 1927, the son of the conductor of the Stuttgart Philharmonic, Wolf Kahn left Nazi Germany in 1939 and in 1940 joined his father and siblings in New York, where he became a student at the High School of Music and Art. He later enrolled in the studio school of Hans Hofmann and became studio assistant to the renowned abstract expressionist.Steeped in Hofmann's modernist theories, Kahn nonetheless developed a style of landscape painting that owes as much to the impressionists as it does to abstract expressionism. His vision impaired at age 80, Kahn is now making paintings that have never been more abstract, gestural, or luminous.Part 2 of a 2-Part Studio Visit.]]></description>
</item>	
<item>
<title><![CDATA[Studio Visit: Brian Belott]]></title>
<link>http://newarttv.com/index.php?id=259</link>
<guid>http://newarttv.com/index.php?id=259</guid>
<pubDate>2008-01-18T10:18:47-23:00</pubDate>
<description><![CDATA[Master of Discard Brian Belott scours the cultural thrift shop for his visual collages, audio works and performance art.]]></description>
</item>	
<item>
<title><![CDATA[New York Gallery Openings 1/17/08]]></title>
<link>http://newarttv.com/index.php?id=258</link>
<guid>http://newarttv.com/index.php?id=258</guid>
<pubDate>2008-01-18T10:14:55-39:00</pubDate>
<description><![CDATA[In this NewArtTV Vblog: New York Gallery Openings January 17, 2008 - Mark Bradford at Sikkema Jenkins, Nicholas Nixon at Yossi Milo, Nobuhiro Ishihara at I-20, Christy Rupp at Frederieke Taylor,  Ray Smith at Roebling Hall, Scott Wolniak at Virgil de Voldere, Meiro Koizumi at Nicole Klagsbrun, and the inaugural show at Leo Kesting. ]]></description>
</item>	
<item>
<title><![CDATA[Diana Thater]]></title>
<link>http://newarttv.com/index.php?id=257</link>
<guid>http://newarttv.com/index.php?id=257</guid>
<pubDate>2008-01-16T10:05:21-41:00</pubDate>
<description><![CDATA[A look at the Los Angeles-based artist's video installations at David Zwirner Gallery in 2008. Thater discusses her interest in human-animal relations and their basis for her new work. ]]></description>
</item>	
<item>
<title><![CDATA[Christopher K. Ho]]></title>
<link>http://newarttv.com/index.php?id=256</link>
<guid>http://newarttv.com/index.php?id=256</guid>
<pubDate>2008-01-15T10:08:52-12:00</pubDate>
<description><![CDATA[Taking the Space Apart: Christopher K. Ho unpacks the gallery system at Winkleman Gallery.]]></description>
</item>	
<item>
<title><![CDATA[Jared Clark]]></title>
<link>http://newarttv.com/index.php?id=255</link>
<guid>http://newarttv.com/index.php?id=255</guid>
<pubDate>2008-01-13T10:12:24-58:00</pubDate>
<description><![CDATA[Underneath: Jared Clark at Art Omi International Artists Residency ]]></description>
</item>	
<item>
<title><![CDATA[Bryan Zanisnik]]></title>
<link>http://newarttv.com/index.php?id=254</link>
<guid>http://newarttv.com/index.php?id=254</guid>
<pubDate>2008-01-13T10:12:06-16:00</pubDate>
<description><![CDATA[Aliens in the Living Room: Video maker Bryan Zanisknik at Art Omi International Artists Residency. ]]></description>
</item>	
<item>
<title><![CDATA[Seeman Ho]]></title>
<link>http://newarttv.com/index.php?id=253</link>
<guid>http://newarttv.com/index.php?id=253</guid>
<pubDate>2008-01-13T10:11:55-57:00</pubDate>
<description><![CDATA[Like Home: Hong Kong-based installation artist Seeman Ho at Art Omi International Artists Residency.]]></description>
</item>	
<item>
<title><![CDATA[John Nicholson]]></title>
<link>http://newarttv.com/index.php?id=252</link>
<guid>http://newarttv.com/index.php?id=252</guid>
<pubDate>2008-01-13T10:10:52-11:00</pubDate>
<description><![CDATA[One Word: Plastics. Australian John Nicholson at Art Omi International Arts Residency.]]></description>
</item>	
<item>
<title><![CDATA[David Ford]]></title>
<link>http://newarttv.com/index.php?id=251</link>
<guid>http://newarttv.com/index.php?id=251</guid>
<pubDate>2008-01-13T10:10:44-16:00</pubDate>
<description><![CDATA[Kansas City-based David Ford at ArtOmi International Artists Residency.]]></description>
</item>	
<item>
<title><![CDATA[Wolf Kahn]]></title>
<link>http://newarttv.com/index.php?id=250</link>
<guid>http://newarttv.com/index.php?id=250</guid>
<pubDate>2008-01-06T10:12:54-11:00</pubDate>
<description><![CDATA[Born in Stuttgart in 1927, the son of the conductor of the Stuttgart Philharmonic, Wolf Kahn left Nazi Germany in 1939 and in 1940 joined his father and siblings in New York, where he became a student at the High School of Music and Art. He later enrolled in the studio school of Hans Hofmann and became studio assistant to the renowned abstract expressionist. Steeped in Hofmann's modernist theories, Kahn nonetheless developed a style of landscape painting that owes as much to the impressionists as it does to abstract expressionism. His vision impaired at age 80, Kahn is now making paintings that have never been more abstract, gestural, or luminous. Part 1 of a 2-Part Studio Visit.  ]]></description>
</item>	
<item>
<title><![CDATA[Martin Creed on Guitar]]></title>
<link>http://newarttv.com/index.php?id=249</link>
<guid>http://newarttv.com/index.php?id=249</guid>
<pubDate>2007-12-24T10:19:12-29:00</pubDate>
<description><![CDATA[Martin Creed's music, like his art, is funny, deadpan, and oddly touching. The Martin Creed band was taped in performance at Bar 169 in New York in Summer 2007.]]></description>
</item>	
<item>
<title><![CDATA[In the Soup: Martin Creed]]></title>
<link>http://newarttv.com/index.php?id=248</link>
<guid>http://newarttv.com/index.php?id=248</guid>
<pubDate>2007-12-24T10:00:10-06:00</pubDate>
<description><![CDATA[An interview with the Turner Prize Winner at his survey at Bard College.]]></description>
</item>	
<item>
<title><![CDATA[Electronic Art at Bryce Wolkowitz]]></title>
<link>http://newarttv.com/index.php?id=243</link>
<guid>http://newarttv.com/index.php?id=243</guid>
<pubDate>2007-12-23T10:06:40-32:00</pubDate>
<description><![CDATA[Electronic and computer artists light up the Bryce Wolkowitz Gallery booth at the Scope Art Fair.]]></description>
</item>	
<item>
<title><![CDATA[Who Is Banksy?]]></title>
<link>http://newarttv.com/index.php?id=222</link>
<guid>http://newarttv.com/index.php?id=222</guid>
<pubDate>2007-12-06T10:03:55-31:00</pubDate>
<description><![CDATA[The secretive graffiti artist attracts collectors like Madonna and Brad Pitt, who pay huge sums for his work. Thousands showed up for his first show in New York.]]></description>
</item>	
<item>
<title><![CDATA[Dana Schutz]]></title>
<link>http://newarttv.com/index.php?id=214</link>
<guid>http://newarttv.com/index.php?id=214</guid>
<pubDate>2007-11-18T10:10:58-16:00</pubDate>
<description><![CDATA[Visions of a Strange Future: An interview with Dana Schutz at her spring 2007 exhibition at the Zach Feuer Gallery.]]></description>
</item>	
<item>
<title><![CDATA[Alex Katz Part 2 of 2]]></title>
<link>http://newarttv.com/index.php?id=213</link>
<guid>http://newarttv.com/index.php?id=213</guid>
<pubDate>2007-11-09T10:06:32-26:00</pubDate>
<description><![CDATA[A Studio Visit With Alex Katz:Alex Katz paints people and places from a world he calls high bohemia, and always with an eye on the "optical." In this studio visit Alex Katz takes us on a tour of work in progress and some fifty years of some his own best works. Katz talks about his work process and technique, light and color, the price of success, his wife and muse Ada, and Hilton Kramer's "great bad reviews." (Part 2 of a 2-part Production.)]]></description>
</item>	
<item>
<title><![CDATA[William Anastasi: Drawing Blind]]></title>
<link>http://newarttv.com/index.php?id=210</link>
<guid>http://newarttv.com/index.php?id=210</guid>
<pubDate>2007-10-20T10:11:52-58:00</pubDate>
<description><![CDATA[William Anastasi is a Conceptual Art pioneer, but he's been largely left out of the art history books.  If you don't know his work, what you've been missing is an original and inventive artist, a font of ideas and objects that seemed to have influenced or at least anticipated the work of many of his more famous Conceptual and Minimalist contemporaries. Born in Philadelphia in 1933, Anastasi embraced what he calls Duchamp's recipe-like approach to art-making and in the Sixties and early Seventies did four exhibitions at the Virginia Dwan Gallery, famous for championing Conceptual and Minimal art.  In the first of these shows Anastasi presented "Wall on the Wall," a set of large lithos on canvas of a photograph of the very gallery walls on which the canvases were hanging. His installations, sculptures,  and images (painting, drawings, photographs) vary greatly in material and form - arguably one of the reasons for his relative obscurity is that he did not develop a signature style.  But certain threads run through and unite Anastasi's work,  among them chance and indeterminacy, site-specificity, self-representation and self-reference, seriality and repetition, the use of ready-made and industrial materials, and of text as visual material.  Anastasi's work is being increasingly recognized and reappraised, most recently with an exhibition at the Drawing Center in New York (Spring 2007) of some of his earliest sculptures and drawings.Drawing has long been important to Anastasi. Since the 1960's he has been making "blind" and "subway" drawings, done without looking on paper in his pocket, or in his lap while riding the subway.  Part I of this multi-part portrait of William Anastasi is about "Drawing Blind."]]></description>
</item>	
<item>
<title><![CDATA[Anastasi Plays Cage]]></title>
<link>http://newarttv.com/index.php?id=207</link>
<guid>http://newarttv.com/index.php?id=207</guid>
<pubDate>2007-10-19T10:02:20-26:00</pubDate>
<description><![CDATA[William Anastasi Performs his late friend John Cage's "4:33".]]></description>
</item>	
<item>
<title><![CDATA[Summer of Love]]></title>
<link>http://newarttv.com/index.php?id=204</link>
<guid>http://newarttv.com/index.php?id=204</guid>
<pubDate>2007-10-14T10:04:26-58:00</pubDate>
<description><![CDATA[An overview of Sixties psychedelic art at the Whitney Museum.  ]]></description>
</item>	
<item>
<title><![CDATA[David Baskin]]></title>
<link>http://newarttv.com/index.php?id=203</link>
<guid>http://newarttv.com/index.php?id=203</guid>
<pubDate>2007-10-13T10:04:15-35:00</pubDate>
<description><![CDATA[David Baskin gets in touch with the inner sculpture lurking in everyday household objects. A studio visit with the artist, February 2007.]]></description>
</item>	
<item>
<title><![CDATA[Living with Art: Susan and Michael Hort Part 2 of 2]]></title>
<link>http://newarttv.com/index.php?id=200</link>
<guid>http://newarttv.com/index.php?id=200</guid>
<pubDate>2007-10-10T10:05:20-09:00</pubDate>
<description><![CDATA[New York collectors Susan and Michael Hort share a passion for contemporary art and discovering new talents. Over twenty years they've assembled a collection focused on emerging artists that now numbers over 2,000 works. Every year during the New York art fairs, they make a selection of newly acquired works, install them in their 10,000 square-foot, downtown triplex, and invite hundreds of friends and art-world people over for a brunchtime viewing. In this first episode of the NewArtTV profile of the Horts, we drop in as Susan and Michael and their curator Simon Watson put together the intallation and share their thoughts on the pleasures of collecting, and how they turned to art to make "something good" out of the untimely death of their daughter Rema. "The Installation" is Episode I of a multi-episode profile. Featured in Part 2: New York-based Artists Keltie Ferris, Valerie Hagerty, Steve Mumford and Eva Struble, and Victor Man, Bartek Maturka, and other artists from Eastern Europe.  ]]></description>
</item>	
<item>
<title><![CDATA[Jessica Rankin]]></title>
<link>http://newarttv.com/index.php?id=201</link>
<guid>http://newarttv.com/index.php?id=201</guid>
<pubDate>2007-10-10T10:02:27-43:00</pubDate>
<description><![CDATA[Jessica Rankin embroiders her way through the landscape memories of her native Australia.   A studio visit with the  artist, December 2006.]]></description>
</item>	
<item>
<title><![CDATA[Living with Art: Susan and Michael Hort]]></title>
<link>http://newarttv.com/index.php?id=199</link>
<guid>http://newarttv.com/index.php?id=199</guid>
<pubDate>2007-10-09T10:04:04-00:00</pubDate>
<description><![CDATA[New York collectors Susan and Michael Hort share a passion for contemporary art and discovering new talents. Over twenty years they've assembled a collection focused on emerging artists that now numbers over 2,000 works. Every year during the New York art fairs, they make a selection of newly acquired works, install them in their 10,000 square-foot, downtown triplex, and invite hundreds of friends and art-world people over for a brunchtime viewing. In this first episode of the NewArtTV profile of the Horts, we drop in as Susan and Michael and their curator Simon Watson put together the intallation and share their thoughts on the pleasures of collecting, and how they turned to art to make "something good" out of the untimely death of their daughter Rema. "The Installation" is Episode I of a multi-episode profile. Featured in this Part 1 of Episode 1: LA-Based Artists Thomas Houseago, Aaron Curry, and Aaron Morse.]]></description>
</item>	
<item>
<title><![CDATA[Felix Gonzalez-Torres]]></title>
<link>http://newarttv.com/index.php?id=197</link>
<guid>http://newarttv.com/index.php?id=197</guid>
<pubDate>2007-10-07T10:07:07-43:00</pubDate>
<description><![CDATA[The late conceptual artist Felix Gonzalez-Torres is featured in the American Pavilion at the Venice Biennale 2007.]]></description>
</item>	
<item>
<title><![CDATA[Lorna Simpson]]></title>
<link>http://newarttv.com/index.php?id=198</link>
<guid>http://newarttv.com/index.php?id=198</guid>
<pubDate>2007-10-07T10:05:04-08:00</pubDate>
<description><![CDATA[Poetic explorer of identity, Lorna Simpson is featured at the Whitney Museum.  Interviews with the artist and Whitney Biennial co-curator Shamim Momin.  ]]></description>
</item>	
<item>
<title><![CDATA[Jason Rhoades]]></title>
<link>http://newarttv.com/index.php?id=196</link>
<guid>http://newarttv.com/index.php?id=196</guid>
<pubDate>2007-10-06T10:12:44-58:00</pubDate>
<description><![CDATA[Cultures collide in a sprawling installation by the late Jason Rhoades at the Venice Biennale 2007.]]></description>
</item>	
<item>
<title><![CDATA[Giuseppe Penone]]></title>
<link>http://newarttv.com/index.php?id=195</link>
<guid>http://newarttv.com/index.php?id=195</guid>
<pubDate>2007-10-06T10:10:42-29:00</pubDate>
<description><![CDATA[Large-scale sculptures and installations by Giuseppe Penone, one of several artists representing Italy at the Venice Biennal 2007.]]></description>
</item>	
<item>
<title><![CDATA[ Tracey Emin]]></title>
<link>http://newarttv.com/index.php?id=194</link>
<guid>http://newarttv.com/index.php?id=194</guid>
<pubDate>2007-10-06T10:09:11-29:00</pubDate>
<description><![CDATA[Hard Love: Tracey Emin's sculptures, painting and watercolors at the Venice Biennale.]]></description>
</item>	
<item>
<title><![CDATA[David Altmejd]]></title>
<link>http://newarttv.com/index.php?id=193</link>
<guid>http://newarttv.com/index.php?id=193</guid>
<pubDate>2007-10-05T10:08:20-59:00</pubDate>
<description><![CDATA[Mirror Dream: An Installation by David Altmejd at the Venice Biennale.]]></description>
</item>	
<item>
<title><![CDATA[Laura Ford at Houldsworth]]></title>
<link>http://newarttv.com/index.php?id=191</link>
<guid>http://newarttv.com/index.php?id=191</guid>
<pubDate>2007-10-04T10:10:26-40:00</pubDate>
<description><![CDATA[Laura Ford at  Houldsworth Gallery London at Scope Art Fair 2007.]]></description>
</item>	
<item>
<title><![CDATA[Deborah Grant]]></title>
<link>http://newarttv.com/index.php?id=190</link>
<guid>http://newarttv.com/index.php?id=190</guid>
<pubDate>2007-10-04T10:08:22-14:00</pubDate>
<description><![CDATA[Deborah Grant creates cutout sculpture and collage panels that fuse personal history and passions with references to literature and art history, from Basquiat and Bill Traylor to Picasso and Thornton Wilder. ]]></description>
</item>	
<item>
<title><![CDATA[Rafael Lozano-Hemmer]]></title>
<link>http://newarttv.com/index.php?id=192</link>
<guid>http://newarttv.com/index.php?id=192</guid>
<pubDate>2007-10-04T10:08:21-24:00</pubDate>
<description><![CDATA[Rafael Lozano-Hemmer makes interactive installations that rewire the circuits of surveillance technology. At the Venice Biennale this year, Lozano-Hemmer filled the Mexican Pavilion - the first time Mexico was represented in Venice - with dynamic sculptures that were responsive to the viewer's presence - image, location, and motion. Lozano-Hemmer calls his works "macro-political." Find out why in this NewArtTV interview at the Venice Biennial 2007. ]]></description>
</item>	
<item>
<title><![CDATA[Jason Hackenwerth's Big Balloons]]></title>
<link>http://newarttv.com/index.php?id=189</link>
<guid>http://newarttv.com/index.php?id=189</guid>
<pubDate>2007-10-04T10:07:41-57:00</pubDate>
<description><![CDATA[Jason Hackenwerth at the Pulse Art Fair 2007.]]></description>
</item>	
<item>
<title><![CDATA[Angie Drakopoulos]]></title>
<link>http://newarttv.com/index.php?id=186</link>
<guid>http://newarttv.com/index.php?id=186</guid>
<pubDate>2007-10-03T10:09:20-30:00</pubDate>
<description><![CDATA[Angie Drakopoulos makes art inspired by molecules, atoms, sound waves and other invisible forces of the universe. A studio visit with Angie Drakopoulos, January 2007. ]]></description>
</item>	
<item>
<title><![CDATA[Jonathan Meese Performance]]></title>
<link>http://newarttv.com/index.php?id=185</link>
<guid>http://newarttv.com/index.php?id=185</guid>
<pubDate>2007-10-03T10:06:31-16:00</pubDate>
<description><![CDATA[Jonathan Meese in a rare performance at the Matthew Barney studio, Long Island City, April 2007.]]></description>
</item>	
<item>
<title><![CDATA[David Humphrey Part 2 of 2]]></title>
<link>http://newarttv.com/index.php?id=188</link>
<guid>http://newarttv.com/index.php?id=188</guid>
<pubDate>2007-10-03T10:06:28-24:00</pubDate>
<description><![CDATA[David Humphrey emerged in New York in the early 1980s with paintings that mix-mastered cartoons, TV, porn, and art history. He was called a Pop Surrealist, along with David Salle and George Condo, but Humphrey was on a distinct direction all along, composing a richly layered self-narrative guided in turns by erotic fixation and quirky transgressiveness.Humphrey's recent paintings of puppy-pawed nurses and quarreling snowmen, and his post-yard sale sculptures, may seem jokey at first, but the more you take in, the more the melange of events and figures becomes provocative and unsettling.  In this March 2007 visit in his lower Manhattan studio, Humphrey talks about his works in progress, like "Side Street in Majorca," an "inscrutable billboard" that manages to reference aging, race, sex, sadness, fame, fashion and Modernism through a set of daring pictorial maneuvers. Major Humphreys deliver similar startling orchestrations of images and ideas, baffled self-representations and oddly resonant cultural references. [Part 2 of 2].]]></description>
</item>	
<item>
<title><![CDATA[Franklin Evans]]></title>
<link>http://newarttv.com/index.php?id=187</link>
<guid>http://newarttv.com/index.php?id=187</guid>
<pubDate>2007-10-03T10:05:18-21:00</pubDate>
<description><![CDATA[Franklin Evans layers references to landscape, biography, and gesture into complex imaginary spaces that reference specific places (like Nevada, where he was born) and personal history and identity.  A studio visit with the New York-based artist, January 2007. ]]></description>
</item>	
<item>
<title><![CDATA[Hendrik Kerstens]]></title>
<link>http://newarttv.com/index.php?id=183</link>
<guid>http://newarttv.com/index.php?id=183</guid>
<pubDate>2007-10-01T10:05:16-35:00</pubDate>
<description><![CDATA[Bert Teunissen, Sandra Derks,  Enrique Marty,  Hendrik Kerstens, Amanda  Besl,  Ixone Sadaba. Hediko Inoue and Mitsy Groenendijk at Art Space Galerie, Amsterdam, Scope Art Fair 2007.]]></description>
</item>	
<item>
<title><![CDATA[Martina Wolf and Theo Boettger]]></title>
<link>http://newarttv.com/index.php?id=182</link>
<guid>http://newarttv.com/index.php?id=182</guid>
<pubDate>2007-10-01T10:03:41-13:00</pubDate>
<description><![CDATA[Martina Wolf and Theo Boettger at Galerie Baer Dresden, Scope Art Fair 2007.]]></description>
</item>	
<item>
<title><![CDATA[Philip Eglin and David Smith at Garth Clark]]></title>
<link>http://newarttv.com/index.php?id=175</link>
<guid>http://newarttv.com/index.php?id=175</guid>
<pubDate>2007-09-30T10:08:04-32:00</pubDate>
<description><![CDATA[Garth Clark Gallery at the ADAA Art Show presented ceramic art by Jean-Pierre Larocque, Philip Eglin, Gwyn Hanssen Pigott, Ron Nagel, Ken Price, and David Smith. Features an interview with gallerist and ceramic art expert Garth Clark.]]></description>
</item>	
<item>
<title><![CDATA[Steinar Jakobsen at Galleri K]]></title>
<link>http://newarttv.com/index.php?id=174</link>
<guid>http://newarttv.com/index.php?id=174</guid>
<pubDate>2007-09-30T10:07:40-52:00</pubDate>
<description><![CDATA[Steinar Jakobsen at Galleri K (Oslo) at Scope Art Fair, 2007.]]></description>
</item>	
<item>
<title><![CDATA[Luc Tuymans and Robert Gober at David Zwirner]]></title>
<link>http://newarttv.com/index.php?id=172</link>
<guid>http://newarttv.com/index.php?id=172</guid>
<pubDate>2007-09-30T10:07:11-06:00</pubDate>
<description><![CDATA[Luc Tuymans, Peter Doig and Robert Gober at David Zwirner Gallery/ADAA Art Show, 2007]]></description>
</item>	
<item>
<title><![CDATA[Janine Antoni]]></title>
<link>http://newarttv.com/index.php?id=181</link>
<guid>http://newarttv.com/index.php?id=181</guid>
<pubDate>2007-09-30T10:06:48-10:00</pubDate>
<description><![CDATA[Janine Antoni at Luhring Augustine at the ADAA Art Show 2007.]]></description>
</item>	
<item>
<title><![CDATA[Shinique Smith at SteveTurner Contemporary]]></title>
<link>http://newarttv.com/index.php?id=180</link>
<guid>http://newarttv.com/index.php?id=180</guid>
<pubDate>2007-09-30T10:06:41-43:00</pubDate>
<description><![CDATA[Shinique Smith, DeborahGrant, at Steve Turner Contemporary LA at Scope Art Fair 007.]]></description>
</item>	
<item>
<title><![CDATA[Richard Stipl at Christoper Cutts]]></title>
<link>http://newarttv.com/index.php?id=169</link>
<guid>http://newarttv.com/index.php?id=169</guid>
<pubDate>2007-09-30T10:06:35-39:00</pubDate>
<description><![CDATA[Jason Stipl, Joe Becker, Sherri Hay, Carlos and Jason Sanchez, at Christopher Cutts Gallery (Toronto), Scope Art Fair 2007.]]></description>
</item>	
<item>
<title><![CDATA[Chen Xiaoyun at the Project]]></title>
<link>http://newarttv.com/index.php?id=179</link>
<guid>http://newarttv.com/index.php?id=179</guid>
<pubDate>2007-09-30T10:06:06-01:00</pubDate>
<description><![CDATA[Chen Xiaoyun, Kori Newkirk, Paul Pfeiffer, Barkley Hendricks, Coco Fusco, and Glenn Kaino, at the Project Gallery, the Armory Show 2007.]]></description>
</item>	
<item>
<title><![CDATA[Roman Wolgin at Store Gallery]]></title>
<link>http://newarttv.com/index.php?id=178</link>
<guid>http://newarttv.com/index.php?id=178</guid>
<pubDate>2007-09-30T10:05:57-51:00</pubDate>
<description><![CDATA[Roman Wolgin at Store Gallery/London/Armory Show 07]]></description>
</item>	
<item>
<title><![CDATA[Peter Hugo at Yossi Milo]]></title>
<link>http://newarttv.com/index.php?id=176</link>
<guid>http://newarttv.com/index.php?id=176</guid>
<pubDate>2007-09-30T10:04:35-09:00</pubDate>
<description><![CDATA[Peter Hugo, Kelli Connell, Sze Tsung Leong, Loretta Lux at Yossi Milo Gallery at Scope Art Fair NY 2007]]></description>
</item>	
<item>
<title><![CDATA[Christian Maychack and Chris Duncan at Jeff Bailey]]></title>
<link>http://newarttv.com/index.php?id=165</link>
<guid>http://newarttv.com/index.php?id=165</guid>
<pubDate>2007-09-29T10:12:38-02:00</pubDate>
<description><![CDATA[Chris Duncan and Christian Maychack at Jeff Bailey Gallery New York at Pulse Art Fair 2007, ]]></description>
</item>	
<item>
<title><![CDATA[Schiele and Kokoschka at Galerie St. Etienne]]></title>
<link>http://newarttv.com/index.php?id=164</link>
<guid>http://newarttv.com/index.php?id=164</guid>
<pubDate>2007-09-29T10:12:25-47:00</pubDate>
<description><![CDATA[Hildegard Bachert of Galerie St. Etienne on works by Oskar Kokoschka and Egon Schiele.]]></description>
</item>	
<item>
<title><![CDATA[Bruno Peinado, Philippe Mayaux, Blaise Drummond, and Werner Reiterer]]></title>
<link>http://newarttv.com/index.php?id=163</link>
<guid>http://newarttv.com/index.php?id=163</guid>
<pubDate>2007-09-29T10:11:38-55:00</pubDate>
<description><![CDATA[Bruno Peinado, Philippe Mayaux, Blaise Drummond, and Werner Reiterer at Galerie Loevenbruck (Paris) at the Armory Show 2007.]]></description>
</item>	
<item>
<title><![CDATA[Satch Hoyt at Anne de Villepoix]]></title>
<link>http://newarttv.com/index.php?id=162</link>
<guid>http://newarttv.com/index.php?id=162</guid>
<pubDate>2007-09-29T10:11:09-15:00</pubDate>
<description><![CDATA[Galerie Anne De Villepoix/Paris Pulse Art Fair 07.  Features an interview with Anne de Villepoix on artists Stephane Pancreach, Erwin Wurm, and Barthelemy Toguo,and and Interview with artist Satch Hoyt.   ]]></description>
</item>	
<item>
<title><![CDATA[Richard Tuttle at Andrea Rosen]]></title>
<link>http://newarttv.com/index.php?id=161</link>
<guid>http://newarttv.com/index.php?id=161</guid>
<pubDate>2007-09-29T10:10:51-37:00</pubDate>
<description><![CDATA[Andrea Rosen at the Art Show 2007 on Matthew Ritchie, Wolfgang Tillmans and Richard Tuttle. ]]></description>
</item>	
<item>
<title><![CDATA[Feininger and Klee at Achim Moeller]]></title>
<link>http://newarttv.com/index.php?id=160</link>
<guid>http://newarttv.com/index.php?id=160</guid>
<pubDate>2007-09-29T10:10:32-48:00</pubDate>
<description><![CDATA[Achim Moeller of Achim Moeller Fine Art  (New York) at the ADAA Art Show, on works by Edgar Degas,  Max Beckmann, Mark Tobey, Lyonel Feininger and Paul Klee.]]></description>
</item>	
<item>
<title><![CDATA[Michael Wesely and Julio Grinblatt at Baro Cruz]]></title>
<link>http://newarttv.com/index.php?id=159</link>
<guid>http://newarttv.com/index.php?id=159</guid>
<pubDate>2007-09-29T10:10:18-41:00</pubDate>
<description><![CDATA[Baro Cruz Gallery (Sao Paulo, Brasil) at Pulse Art Fair 2007.  Gallery Director oscar Cruz on photographer Michael Wesely; interview with photographer Julio Grinblatt.]]></description>
</item>	
<item>
<title><![CDATA[Louise Bourgeois]]></title>
<link>http://newarttv.com/index.php?id=168</link>
<guid>http://newarttv.com/index.php?id=168</guid>
<pubDate>2007-09-29T10:03:35-31:00</pubDate>
<description><![CDATA["Femme," an exhibition by Louise Bourgeois, was originally presented at the Walters Art Gallery in Baltimore and brought to the ADAA Art Show 2007 by Cheim and Read. Interview with Cheim and Read's Howard Read. ]]></description>
</item>	
<item>
<title><![CDATA[Paul Pagk at Moti Hasson]]></title>
<link>http://newarttv.com/index.php?id=167</link>
<guid>http://newarttv.com/index.php?id=167</guid>
<pubDate>2007-09-29T10:01:32-00:00</pubDate>
<description><![CDATA[Moti Hasson of Moti Hasson Gallery (NYC) presents painters Paul Pagk and Dan Rushton at Scope Art Fair, 2007.]]></description>
</item>	
<item>
<title><![CDATA[Didier Massard at Julie Saul]]></title>
<link>http://newarttv.com/index.php?id=166</link>
<guid>http://newarttv.com/index.php?id=166</guid>
<pubDate>2007-09-29T10:01:12-12:00</pubDate>
<description><![CDATA[Julie Saul of Julie Saul Gallery (NYC) presents photographer Didier Massard and multimedia artist Sarah Anne Johnson at the Pulse Art Fair 07.]]></description>
</item>	
<item>
<title><![CDATA[Jinkee Choi]]></title>
<link>http://newarttv.com/index.php?id=158</link>
<guid>http://newarttv.com/index.php?id=158</guid>
<pubDate>2007-09-27T10:04:42-00:00</pubDate>
<description><![CDATA[Korean-born, New York-based Jinkee Choi takes ordinary objects -  toothpaste tubes, packaging, trash - as points of departure for an exploration of what he calls "the Unconsciousness World." A studio visit with Jinkee Choi, January 2007. ]]></description>
</item>	
<item>
<title><![CDATA[Nayda Collazo-Lorens at LMAK]]></title>
<link>http://newarttv.com/index.php?id=156</link>
<guid>http://newarttv.com/index.php?id=156</guid>
<pubDate>2007-09-01T10:10:43-23:00</pubDate>
<description><![CDATA[Multimedia artist Nayda Collazo-Lorens presents paintings, works on paper, and video at LMAK Projects Brooklyn, Winter 2007.]]></description>
</item>	
<item>
<title><![CDATA[MaxiGeil Rock the Cake Shop]]></title>
<link>http://newarttv.com/index.php?id=151</link>
<guid>http://newarttv.com/index.php?id=151</guid>
<pubDate>2007-08-15T10:06:54-11:00</pubDate>
<description><![CDATA[Painters and videomakers Rebecca Chamberlain and Guy Richard Smit front their band Maxi Geil/Playcolt in a live performance at the Cake Shop in New York.]]></description>
</item>	
<item>
<title><![CDATA[Daniel Buren]]></title>
<link>http://newarttv.com/index.php?id=150</link>
<guid>http://newarttv.com/index.php?id=150</guid>
<pubDate>2007-08-15T10:05:42-15:00</pubDate>
<description><![CDATA[An encounter with Daniel Buren at his exhibition at Bortolami Gallery of his breakthrough paintings of 1966 and a new installation.]]></description>
</item>	
<item>
<title><![CDATA[David Humphrey]]></title>
<link>http://newarttv.com/index.php?id=149</link>
<guid>http://newarttv.com/index.php?id=149</guid>
<pubDate>2007-08-14T10:09:33-19:00</pubDate>
<description><![CDATA[David Humphrey emerged in New York in the early 1980s with paintings that mix-mastered cartoons, TV, porn, and art history. He was called a Pop Surrealist, along with David Salle and George Condo, but Humphrey was on a distinct direction all along, composing a richly layered self-narrative guided in turns by erotic fixation and quirky transgressiveness.Humphrey's recent paintings of puppy-pawed nurses and quarreling snowmen, and his post-yard sale sculptures, may seem jokey at first, but the more you take in, the more the melange of events and figures becomes provocative and unsettling.  In this March 2007 visit in his lower Manhattan studio, Humphrey talks about his works in progress, like "Side Street in Majorca," an "inscrutable billboard" that manages to reference aging, race, sex, sadness, fame, fashion and Modernism through a set of daring pictorial maneuvers. Major Humphreys deliver similar startling orchestrations of images and ideas, baffled self-representations and oddly resonant cultural references. [Part 1 of 2]]]></description>
</item>	
<item>
<title><![CDATA[Richard Serra at MoMA]]></title>
<link>http://newarttv.com/index.php?id=141</link>
<guid>http://newarttv.com/index.php?id=141</guid>
<pubDate>2007-08-12T10:11:24-54:00</pubDate>
<description><![CDATA[The show brought together dozens of Serra's rubber, steel and lead sculptures from the late 1960s together with some of his latest and biggest sculptures. These new pieces, especially commissioned by MoMA, are pharaonic in size, scale, ambition, and sheer tonnage. Two works from the 90's, in MoMA's permanent collection, have been installed in the Garden, while three new multi-hundred-ton labyrinths of steel, draped in magnificent mantles of rust, occupy MoMA’s contemporary gallery, which was built specifically to bear the enormous weight. In this NewArtTV interview the artist talks about continuity and change in his work, and what it might all mean to you. ]]></description>
</item>	
<item>
<title><![CDATA[New York Art Fair Overview]]></title>
<link>http://newarttv.com/index.php?id=140</link>
<guid>http://newarttv.com/index.php?id=140</guid>
<pubDate>2007-08-12T10:10:43-23:00</pubDate>
<description><![CDATA[New York Art Fairs : An overview of the 2007 Armory Fair and the ADAA Art Show.]]></description>
</item>	
<item>
<title><![CDATA[Tony Matelli at Leo Koenig]]></title>
<link>http://newarttv.com/index.php?id=142</link>
<guid>http://newarttv.com/index.php?id=142</guid>
<pubDate>2007-08-12T10:06:57-35:00</pubDate>
<description><![CDATA[Leo Koenig of the Leo Koenig Gallery at the Armory Show 2007 presentsTony Matelli, Gelitin, Wendy White, Tom Sanford, Greg Bogin and Torben Giehler.]]></description>
</item>	
<item>
<title><![CDATA[Michael Rees: Live Life!]]></title>
<link>http://newarttv.com/index.php?id=129</link>
<guid>http://newarttv.com/index.php?id=129</guid>
<pubDate>2007-08-11T10:01:31-44:00</pubDate>
<description><![CDATA[Artist and computerized sculpture pioneer Michael Rees stars in a performance at the Matthew Barney Studio Long Island City, NY, April 2007. In the wake of his own mother's death Rees and backup singers do a rendition of the William Shatner/Ben Folds song, "Live life like you're gonna die" (opening lyrics below) before an audience of hundreds, including many NY art world notables.  Brief before/after interviews with Michael bookend the performance.Live lifeLive life like you're gonna dieBecause you're gonnaI hate to be the bearer of bad newsBut you're gonna die...]]></description>
</item>	
<item>
<title><![CDATA[Alex Katz]]></title>
<link>http://newarttv.com/index.php?id=147</link>
<guid>http://newarttv.com/index.php?id=147</guid>
<pubDate></pubDate>
<description><![CDATA[A Studio Visit With Alex Katz: Alex Katz paints people and places from a world he calls high bohemia, and always with an eye on the optical. In this studio visit Alex Katz takes us on a tour of work in progress and some fifty years of some his own best works. Katz talks about his work process and technique, light and color, the price of success, his wife and muse Ada, and Hilton Kramer's "great bad reviews." (Part 1 of a 2-part Production.)]]></description>
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